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Saturday, October 10, 2026
Modern Spark

Ballet Star Matthew Ball on Grueling Roles and Online Scrutiny: 'I Don't Feel Protective About My Body'

Within the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's carriage is effortlessly straight-backed, his limbs defined beneath a simple tee. On stage, dancers can seem like mighty gods, yet often in person they are petite. This is not true for Ball, whose height is part of his demand for princely characters and pas de deux work. With delicate features and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is enjoying the crest of a career that has progressed seamlessly. Growing up in Liverpool, he encountered minimal teasing for his childhood passion in ballet. Joining the Royal Ballet School at 11, he moved straight into the company and was promoted each year, attaining the highest position of lead dancer in 2018. He has relished tackling meaty dramatic roles, especially the psychological turmoil found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's next starring appearance is in a talk, in an "Evening With" series aiming to offer behind-the-scenes insights into a performer's craft. He will guide the crowd through a role, demonstrating his cognitive process while execution. Yet in lighter ballets, the test is profound. "A classic ballet is one of the toughest from a skill perspective," he states.

The Mental Struggle and After the Show Emotions

What about after a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get immersed in the role, frequently I do feel embarrassed afterwards. After Mayerling I'm always thinking: God, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Does this exist? "I'm quite energetic in general, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an instigator for good change."

Formative Drivers and Artistic Influences

Ball's determination stemmed from youthful setbacks. Not excelling in contests at school made him "vengeful!" It was motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

The next endeavor is making his own dance works. In his view, "there's nothing wrong with." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from literature, music, and painting.

Close-Up Performance and Private Dynamic

He additionally favors staging dance in more intimate spaces. "It was just really exciting," he says of a previous show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple are not usually matched on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Image

On Instagram, followers can see clips from his projects and photos that showcase a athletic physique. Does he mind that the engagement can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be seen on multiple levels.

Ball characterizes his early self as "eager for success." Has it lived up to his hopes? "I am conscious of how reality is a different reality to the dreams you had as a child," he reflects. He probably has another ten years of performing left. "I suppose in the future, I want to be a bit more kind with myself."

About the author

Bill Hatfield

Tech enthusiast and innovation strategist with over a decade of experience in digital transformation and emerging technologies.

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